{"id":11690,"date":"2021-09-15T08:22:36","date_gmt":"2021-09-15T06:22:36","guid":{"rendered":"https:\/\/www.artinprint.at\/regina-zachhalmel\/"},"modified":"2022-05-11T10:50:56","modified_gmt":"2022-05-11T08:50:56","slug":"regina-zachhalmel","status":"publish","type":"page","link":"https:\/\/www.artinprint.at\/en\/regina-zachhalmel\/","title":{"rendered":"Regina Zachhalmel"},"content":{"rendered":"

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<\/strong><\/p>\n

<\/strong><\/p>\n

Regina Zachhalmel<\/strong>
(born 1963 in St. P\u00f6lten, Lower Austria)<\/p>\n

japanischer Gast<\/em>, 2018, for the art in print series women I<\/em><\/p>\n

Etching, line etching combined with soft ground etching (textile impression) of two by two plates on Zerkall German Etch Intaglio, printed by Tom Phelan, Blackspot Press, Vienna.<\/p>\n

Edition of 33 + 5 AP + 2 EP + 1 PP<\/p>\n

Signed,dated, titled and numbered by the artist, embossed stamp Blackspot Press<\/p>\n

Plate size each 29.5 x 19.4 cm
40 x 50 cm<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]\"\"<\/a>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”94%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”27px|0px|0px|0px” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”rgba(68,92,130,0.23)” _builder_version=”4.16″ global_colors_info=”{}”] [\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”66%” module_alignment=”center” custom_padding=”15px|0px||0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2020\/02\/Regina-Zachhalmel-500.jpeg” show_in_lightbox=”on” show_bottom_space=”off” align=”center” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”] 
\n[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Regina Zachhalmel<\/h2>\n

1963<\/strong>\/\/ born in St. P\u00f6lten \u2013 lives and works in Vienna
\n1990\u20131996<\/strong>\/\/ Degree course at the Academy of Fine Arts, Vienna
\n1996<\/strong> \/\/ Degree in Painting and Graphics
\n2003<\/strong> \/\/ PhD in Aesthetics, Academy of Fine Arts, Vienna<\/p>\n

Selection of exhibitions<\/strong><\/p>\n

2017 \/\/ , ecoart, Vienna
\nSommerausstellung 2017, rittergallery, Klagenfurt
\ntaktil, kunst:werk, St. P\u00f6lten
\n2016 \/\/ Accrochage 2016, rittergallery, Klagenfurt
\nSommer 2016 \/\/ rittergallery, Klagenfurt
\n30x30x30, International Group Exhibition, Galerie zs-art, Vienna
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”66%” custom_padding=”|0px|40px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]Aesthetic issues relating to everyday and image culture form the basis of my works, whereby central categories of the artwork such as the motif, the shaping process, value, appearance and interpretation are renegotiated. In a process of artistic upgrading, predominantly cheaply produced raw materials such as paper strips, fabric bags or furnishing fabrics are used to create an independent work of art. Regina Zachhalmel, 2018<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”66%” custom_margin=”|||” custom_padding=”27px|0px|50px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

About the artist<\/h2>\n

In her works, Regina Zachhalmel deals with the perception of everyday and image culture, whereby central categories of the artwork such as the motif, the shaping process, value, appearance and interpretation are renegotiated. The result is configurations that knowingly question traditions in production and reception. Originality and uncontrollability in the sense of the incidental are knowingly provoked components of the cycle of work.<\/p>\n

But the motif itself isn\u2019t of primary interest, it\u2019s much more about what happens in the artistic examination. Using different media formats that are usually arranged into multi-part series or blocks, set pieces of banal everyday life, as well as art and cultural history, are intertwined in a wide-ranging and associative network. In a process of artistic upgrading, predominantly cheaply produced raw materials (such as canopies, fabric bags and other mass-produced textiles) are used to create an independent character for the piece. The object is aesthetically upgraded and reinterpreted through the intervention of the artist. In doing so, children\u2019s hats, for example, are carefully taken apart, disassembled into their individual pieces, painted, reshaped and put back together in a novel way. The product regains its interest. In the artwork , this is achieved using cheap industrially made strips that are given a second chance.<\/p>\n

In her work, the artist scrutinises valid concepts of value and work by equally questioning the terms of production and reception in everyday life and in art.
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    Regina Zachhalmel(born 1963 in St. P\u00f6lten, Lower Austria) japanischer Gast, 2018, for the art in print series women I Etching, line etching combined with soft ground etching (textile impression) of two by two plates on Zerkall German Etch Intaglio, printed by Tom Phelan, Blackspot Press, Vienna. Edition of 33 + 5 AP + […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":42,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-11690","page","type-page","status-publish","hentry"],"yoast_head":"\nBuy an original print by von Regina Zachhalmel online | art in print<\/title>\n<meta name=\"description\" content=\"The etching "japanischer Gast, 2018" by Austrian artist Regina Zachhalmel for the women 1 series - order now\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.artinprint.at\/en\/regina-zachhalmel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Buy an original print by von Regina Zachhalmel online | art in print\" \/>\n<meta property=\"og:description\" content=\"The etching "japanischer Gast, 2018" by Austrian artist Regina Zachhalmel for the women 1 series - 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