<\/a>Gabriele Sch\u00f6ne<\/strong><\/span> Mittwochabend<\/em>, 2018, for the art in print series women I<\/em>\u00a0<\/p>\n Lithograph in two colours, printed on Magnani Incisioni paper by Rudi H\u00f6rschl\u00e4ger, Druckwerkstatt Uferst\u00f6ckl, Wallsee\/Lower Austria<\/p>\n Edition of 33 + 5 AP + 2 EP + 2 PP<\/p>\n Signed, titled, dated and numbered by the artist<\/p>\n Image size : 40,1 x 30,4 cm [\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”94%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”27px|0px|0px|0px” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”rgba(68,92,130,0.23)” _builder_version=”4.16″ global_colors_info=”{}”] [\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”66%” module_alignment=”center” custom_padding=”15px|0px||0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2020\/02\/Gabriele-Scho\u0308ne-3.jpg” show_in_lightbox=”on” show_bottom_space=”off” align=”center” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”] 1961<\/strong> \/\/ born in Mistelbach \u2013 lives and works in Vienna Selection of exhibitions<\/strong><\/p>\n 2018<\/strong> \/\/ KUNSTradeln, Millstatt Empty shapes stand in the centre of the images by Gabriele Sch\u00f6ne. These blank patches, in which the whitewashed canvas stands out from the coloured paint and patterned fabric applications, are always the pivot points and linchpins of a whole made out of different layers of images. Furthermore, the empty spaces that can also be discerned as clear shapes because of their contours \u2013 from the fruit to the jumping girl, the dancing couple to the mother and her child and larger groups of figures \u2013 achieve an ambivalent balance between presence and absence, appearing to unfurl their impact first as something invisible. The shape arises from the connections that surround it, the link between them creates a blank in the middle.<\/p>\n For on the one hand there is the dancer, the dancing couple in traditional costume, which are easily discernible even in silhouette. These twists as a pair lie in the visual atlas of the memory. The templates even come from the tabloids, beyond the ironic gestures, from the critical detachment to a media world of false images of home, there is, however, a reminiscence of your own story in the artistic adaptation. Home for Gabriele Sch\u00f6ne was always somewhere else \u2013 the summer in the countryside at her grandmother\u2019s house that became an idyll frozen in time; or her father\u2019s place of yearning in the (former) GDR.<\/p>\n Accompanying the dance in traditional costume are the fabrics. Diverse and with traditional patterns, they become a formative environment, the backdrop to the figures. The fact that the fabrics are partly worn seems to testify to a further level of reality that evokes a genuine existence in the illusion of the image. (Daniela H\u00f6lzl , 2015) Artwork by Gabriele Sch\u00f6ne for art in print \n buy now<\/a>\n <\/p><\/div>\r\n\t\t\t\r\n\t\t<\/div>\r\n\t<\/div><\/div>
(born 1961 in Mistelbach)<\/p>\n
Paper size : 50 x 40 cm<\/p>\n![\"\"](\"https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/01\/AIP_Button_jetzt2_klein.png\")
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\n[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\nGabriele Sch\u00f6ne<\/h2>\n
\n1980\u20131986<\/strong> \/\/ Degree course at the University for Applied Arts in Vienna
\n1985<\/strong> \/\/ International scholarship in Rome
\n1995<\/strong> \/\/ One-year working stay in Los Angeles
\n2001<\/strong> \/\/ Scholarship in Paliano (Italy)<\/p>\n
\nUnmittelbar, Galerie J\u00fcnger, Wien
\n2017<\/strong> \/\/ \u201eAusgeschnitten\u201c Galerie J\u00fcnger, Wien
\n2017<\/strong> \/\/ summerstage, open art, Wien
\n2016<\/strong> \/\/ Parallel Vienna, Wien
\n2015<\/strong> \/\/ Parallel Vienna, Wien
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”66%” custom_padding=”27px|0px|0|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ custom_padding=”||40px|” global_colors_info=”{}”]Nature plays an important role in my work. It does not, however, consist of studies of nature, but taking into consideration everything that links us with nature and therefore features in our wishful thinking. In my scenic idylls, goats, pigs, cows and all kinds of other animals romp around as silhouettes. In the background, the landscape is picturesque, the white areas of the silhouetted animals reflecting the distance between people and nature. Then there are the silhouettes of the dancing couples, which have the effect of having been cut out against their backdrop of fabric that is used for dirndls. I also very much enjoy making use of the gentle, charming scenes by Goya, seeming idylls geared towards celebration and tradition, and I incorporate them in my work as well. Gabriele Sch\u00f6ne, 2018<\/strong>
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”66%” min_height=”475px” custom_margin=”|auto|-3px|auto||” custom_padding=”0|0px|50px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\nAbout the artist<\/h2>\n
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"![\"Gabriele](\"https:\/\/www.artinprint.at\/wp-content\/uploads\/2021\/11\/gabriele-schoene-marille-quadratisch-400x400.png\")
<\/a>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\r\n\t\t\t\tGabriele Sch\u00f6ne Marille, 2021 Screenprint<\/a>\r\n\t\t\t<\/h4>\r\n\t\t\t\r\n\t\t\t
![\"Gabriele](\"https:\/\/www.artinprint.at\/wp-content\/uploads\/2021\/11\/gabriele-schoene-kirsche-quadratisch-400x400.png\")
<\/a>\r\n\t\t\t<\/div>\r\n\t\t\t\r\n\t\t\t\r\n\t\t\t\r\n\t\t<\/div>\r\n\t\t\r\n\t\t\r\n\t\t\t\tGabriele Sch\u00f6ne Kirsche, 2021 Screenprint<\/a>\r\n\t\t\t<\/h4>\r\n\t\t\t\r\n\t\t\t
![\"Gabriele](\"https:\/\/www.artinprint.at\/wp-content\/uploads\/2017\/12\/gabriele-schoene-mittwochabend-produktbild-quad-transparent-400x400.png\")
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