{"id":11630,"date":"2021-09-14T14:04:25","date_gmt":"2021-09-14T12:04:25","guid":{"rendered":"https:\/\/www.artinprint.at\/larissa-leverenz\/"},"modified":"2022-05-11T10:23:23","modified_gmt":"2022-05-11T08:23:23","slug":"larissa-leverenz","status":"publish","type":"page","link":"https:\/\/www.artinprint.at\/en\/larissa-leverenz\/","title":{"rendered":"Larissa Leverenz"},"content":{"rendered":"

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\n[\/et_pb_fullwidth_header][et_pb_fullwidth_header title=”Larissa Leverenz” subhead=”BIG FISH, 2019″ _builder_version=”4.16″ background_color=”#445C82″ custom_padding=”25px|170px|15px|170px” saved_tabs=”all” global_colors_info=”{}” button_one_text_size__hover_enabled=”off” button_two_text_size__hover_enabled=”off” button_one_text_color__hover_enabled=”off” button_two_text_color__hover_enabled=”off” button_one_border_width__hover_enabled=”off” button_two_border_width__hover_enabled=”off” button_one_border_color__hover_enabled=”off” button_two_border_color__hover_enabled=”off” button_one_border_radius__hover_enabled=”off” button_two_border_radius__hover_enabled=”off” button_one_letter_spacing__hover_enabled=”off” button_two_letter_spacing__hover_enabled=”off” button_one_bg_color__hover_enabled=”off” button_two_bg_color__hover_enabled=”off”] 
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<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Larissa Leverenz<\/strong>
(born 1978 in Cologne, Germany)<\/p>\n

BIG FISH, <\/em>2019, for the art in print series women III<\/em><\/p>\n

Screen print in nine colours, printed on Incisioni 310 g paper by Larissa Leverenz<\/p>\n

Edition of 33 + 5 AP in 2 Variations + 2 EP<\/p>\n

Signed, dated, titled and numbered by the artist<\/p>\n

50 x 40 cm<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]\"\"<\/a>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row module_class=” et_pb_row_fullwidth” _builder_version=”4.16″ width=”94%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” custom_padding=”27px|0px|0px|0px” make_fullwidth=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”rgba(68,92,130,0.23)” _builder_version=”4.16″ global_colors_info=”{}”] [\/et_pb_divider][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” width=”66%” module_alignment=”center” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”15px|0px||0px|false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2019\/10\/LarissaLeverenz_c_EvaKelety_002_500.jpg” show_in_lightbox=”on” show_bottom_space=”off” force_fullwidth=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ global_colors_info=”{}”] 
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Larissa Leverenz<\/h2>\n

1978<\/strong> \/\/ born in Cologne, Germany.
\n2000\u20132005<\/strong> \/\/ Degree course at the M\u00fcnster School of Design; graduation with degree
\n2005\u20132011<\/strong> \/\/ Degree course at the University of Applied Arts in Vienna; Fine Arts & Media Art department, graduation with distinction in 2011
\n2011\u2013present<\/strong>\/\/ Senior Artist at the University of Applied Arts, Reprographics & Screen Printing department, Prof. Jan Svenungsson[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding_last_edited=”on|tablet” _builder_version=”4.16″ width=”66%” custom_padding=”|0px|0px|0px|false|false” custom_padding_tablet=”|80px|0px|80px|false|false” custom_padding_phone=”” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

BIG FISH<\/h3>\n

On the one hand, the title plays on the meaning of an important and powerful person, while on the other hand on the film of the same name by Tim Burton, which deals with the extraordinary life story of the Bloom father and son.
The fish depicted by me is a coelacanth, a living fossil. It swims through time surrounded by planets.<\/p>\n

Its story actually begins more than 450 million years ago and it is a forefather of the first of the terrestrial vertebrates and therefore also a forefather of us humans.<\/p>\n

Larissa Leverenz, 2019<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”|||” custom_padding=”0px|80px|0|80px|false|false” custom_css_main_element=”display: none;” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

About the artist<\/h2>\n

Andrea Bischof geh\u00f6rt zu den wichtigsten VertreterInnen der informellen Malerei in \u00d6sterreich, so der heutige Direktor der Gem\u00e4ldegalerie Alte Meister in Dresden, Stephan Koja.* Farbe ist f\u00fcr die Malerin Andrea Bischof das Medium schlechthin. Ihre oft gro\u00dfformatigen \u00d6lbilder entstehen in einem sich \u00fcber Wochen entwickelnden behutsamen Prozess, an dessen Ende ein wahrer Kosmos an Farben steht. Die K\u00fcnstlerin baut ihre Bilder aus vielen miteinander korrespondierenden vielfarbigen Schichten ausgehend von einem meist starkfarbigen Grund auf. Schicht f\u00fcr Schicht, bis zur feingesponnenen Oberfl\u00e4che. Bischofs Bilder sind ein ber\u00fchrendes Farberlebnis, wobei es der Malerin nicht um das vordergr\u00fcndige Schwelgen in der Sinnlichkeit der Farbe geht, sondern um einen klaren konzeptionellen Ansatz. Von jeher fasziniert Bischof in ihrer Kunst das Verh\u00e4ltnis von Oberfl\u00e4che und Tiefe, von Haut und Grundierung. Andrea Bischof arbeitet in traditioneller \u00d6ltechnik. Sie liebt dieses Medium, holt gleichsam aus der Farbmaterie Gebilde ans Licht. Sie sucht nach den Beziehungen der Farben, orchestriert ihr Zusammenspiel und sucht nach Wegen, dieses zu intensivieren. Andrea Bischof ist eine konsequente Arbeiterin, beginnt fr\u00fch am Morgen mit der Arbeit in ihrem weitl\u00e4ufigen Atelier im zweiten Wiener Gemeindebezirk und beendet den Arbeitstag mit einer (Selbst)Kritik, um am n\u00e4chsten Morgen gezielt weiterzuarbeiten. Wie viele K\u00fcnstlerInnen arbeitet sie an mehreren Bildern parallel und entwickelt sie \u00fcber mehrere Wochen. \u201eIm langsamen Entwickeln des Bildes wird Malen f\u00fcr Bischof zum Erkenntnisprozess. Es geht, auf dem Weg hoher Empf\u00e4nglichkeit f\u00fcr die Intensit\u00e4t der Farbe, um das Erkennen von Gesetzen der Harmonie. Letztlich sucht Bischof nach einer Sch\u00f6nheit, die Tiefe besitzt. Nicht jene oberfl\u00e4chliche Sch\u00f6nheit, die am Ende hohl bleibt und nur Entt\u00e4uschung zur\u00fcckl\u00e4sst, sondern Sch\u00f6nheit, die auf Gr\u00f6\u00dferes verweist (\u2026).\u201c (Koja)
\nStepahn Koja (Hg.) Andrea Bischof. Color Truth, 2016 Hirmer Verlag.
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_padding=”27px|0px|0|0px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_divider color=”#cecece” _builder_version=”4.16″ global_colors_info=”{}”] [\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”0|0px|54px|0px” custom_css_main_element=”display: none;” global_colors_info=”{}”][et_pb_row custom_padding_last_edited=”on|desktop” _builder_version=”4.16″ custom_padding=”0px|80px|0px|80px” custom_padding_tablet=”0px|100px|0px|100px” custom_padding_phone=”0px|0px|0px|0px” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Die weiteren Drucke der Edition III<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/05\/Bischof_ungerahmt_edition.jpg” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”4.16″ filter_opacity=”50%” global_colors_info=”{}”] 
\n[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image_n10s _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image_n10s][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image_n10s src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/05\/Schoene_ungerahmt_edition.jpg” size=”shop_catalog” n10s_type=”hanoi” title1_overlay=”Gabriele Sch\u00f6ne ” title2_overlay=”Mittwochabend, 2018″ caption_orientation=”left” image_as_url=”on” url=”https:\/\/www.artinprint.at\/gabriele-schoene” animation=”off” admin_label=”Sch\u00f6ne” header_font_size=”20px” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

\n
\n

\"\"<\/a><\/p>\n

\n

“Bildname”
\nAnna Stangl<\/h2>\n

\n<\/div>\n

 <\/p>\n<\/div>\n<\/div>\n

[\/et_pb_image_n10s][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.16″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image_n10s src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/05\/Stangl_ungerahmt_edition.jpg” size=”shop_catalog” n10s_type=”hanoi” title1_overlay=”Anna Stangl ” title2_overlay=”Traum, 2018″ caption_orientation=”left” image_as_url=”on” url=”https:\/\/www.artinprint.at\/anna-stangl” animation=”off” admin_label=”Stangl” header_font_size=”20px” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

\n
\n

\"\"<\/a><\/p>\n

\n

“Bildname”
\nGabriele Sch\u00f6ne<\/h2>\n

\n<\/div>\n

 <\/p>\n<\/div>\n<\/div>\n

[\/et_pb_image_n10s][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image_n10s src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/05\/Thuma_ungerahmt_edition.jpg” size=”shop_catalog” n10s_type=”hanoi” title1_overlay=”Gerlinde Thuma ” title2_overlay=”aeolus, 2018″ caption_orientation=”left” image_as_url=”on” url=”https:\/\/www.artinprint.at\/gerlinde-thuma” animation=”off” admin_label=”Thuma” header_font_size=”20px” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

\n
\n

\"\"<\/a><\/p>\n

\n

“Bildname”
\nRegina Zachhalmel<\/h2>\n

\n<\/div>\n

 <\/p>\n<\/div>\n<\/div>\n

[\/et_pb_image_n10s][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_image_n10s src=”https:\/\/www.artinprint.at\/wp-content\/uploads\/2018\/05\/Zachhalmel_ungerahmt_edition.jpg” size=”shop_catalog” n10s_type=”hanoi” title1_overlay=”Regina Zachhalmel ” title2_overlay=”japanischer Gast, 2018″ caption_orientation=”left” image_as_url=”on” url=”https:\/\/www.artinprint.at\/regina-zachhalmel” animation=”off” admin_label=”Zachhalmel” header_font_size=”20px” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

\n
\n

\"\"<\/a><\/p>\n

\n

“Bildname”
\nGerlinde Thuma<\/h2>\n

\n<\/div>\n

 <\/p>\n<\/div>\n<\/div>\n

[\/et_pb_image_n10s][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n<\/span>","protected":false},"excerpt":{"rendered":"

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