{"id":11590,"date":"2021-09-10T07:31:21","date_gmt":"2021-09-10T05:31:21","guid":{"rendered":"https:\/\/www.artinprint.at\/georgia-creimer\/"},"modified":"2022-05-11T10:01:12","modified_gmt":"2022-05-11T08:01:12","slug":"georgia-creimer","status":"publish","type":"page","link":"https:\/\/www.artinprint.at\/en\/georgia-creimer\/","title":{"rendered":"Georgia Creimer"},"content":{"rendered":"

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<\/span><\/p>\n

<\/span><\/p>\n

Georgia Creimer<\/a><\/span>
(born 1964 in Sao Paolo, Brazil)<\/p>\n

Biom (gelb)<\/em>, 2018 for the art in print series women I<\/em><\/p>\n

Screen print (Serigraph) in four colours, printed on Rives B\u00fctten by\u00a0 Andreas Stalzer, Forum Limbach, Burgenland<\/p>\n

Edition of 33 + 5 AP + 2 EP + 3 PP<\/p>\n

Signed, dated, numbered and titled by the artist, embossed stamp Andreas Stalzer<\/p>\n

50 x 40 cm<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]\"\"<\/a>
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\n[\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Georgia Creimer<\/h2>\n

1964<\/strong> \/\/ born in Sao Paolo
\n1981\u20131985<\/strong> \/\/ Art degree at the Funda\u00e7\u00e3o Armando Alvares Penteado in S\u00e3o Paulo
\n1986\u2013present<\/strong> \/\/ Lives and works in Vienna
\n2005<\/strong> \/\/ \u2013 “Hands on Tables” (winning project) Winzer Krems vineyard, Krems
\n2009<\/strong>\/\/ \u2013 “On Stones” (winning project) new University and State Library in Innsbruck
\n2012<\/strong>\/\/ “Eine Wohnen” and “Intimate Space” \u2013 (winning projects) 3rd Olympic Village in Innsbruck<\/p>\n

Exhibitions (selection)<\/strong><\/p>\n

2017<\/strong>\/\/ , “Incorporado” within \u201cwir zeigen\u201d, Semperdepot, Vienna
\n2016<\/strong>\/\/ “Liquid Morph”, with Thomas Reinhold, Art Room W\u00fcrth Austria, B\u00f6heimkirchen
\n2015<\/strong>\/\/ “Unframed”, Galerie Raum mit Licht, Vienna , with Ernst Caramelle, Isa Melsheimer, Christiane Reiter, Heimo Zobernig, Siggi Hofer, Michael Kienzer, Olaf Nicolai
\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”66%” custom_padding=”|0px|40px|0px|false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]I see myself as an artist, as someone who practises art. Making a piece of art is an exercise, and through intensively practising art, I gain a sensitivity to things, people, nature, the world, and I trust in this sensitivity and give it structure. My creative process is empirical: I learn from my experiences. For me, making art is a form of life science. When I work, I try to leave as much room as possible for the unconscious. I want to surprise myself as well as learning from what I make.
\nIt would be na\u00efve to want to try and commit art to a particular direction or to allocate a meaning or a message to it, as the moment art comes in contact with the observer, it is entirely free and evades any possible control. And that’s what makes it something bigger and more complex. Georgia Creimer 2018 <\/span><\/strong>
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About the artist<\/h2>\n

Georgia Creimer grew up in Brazil in a family with European roots. After studying art in S\u00e3o Paulo and having a first solo exhibition, she moved to Austria at the age of 23. Georgia Creimer takes a number of different approaches in terms of techniques and media, working with photography, installations, objects and sculpture, drawings and paintings in equal measure.
\nThe concept of the biome comes from the life sciences. Creimer\u2019s biomes are extremely minimal, organic shapes that she transfers to canvases primed with gesso using the hardest pencil available. The artist has been dealing with biomes on an ongoing basis since 2004. The basis of the biomes are \u201chalf-blind\u201d drawings that the artist creates by drawing lines on a piece of paper with her eyes closed. From the resulting graphic webs, shapes are chosen using an intuitive process and later partially edited on the computer, then used as a template for larger pieces. These drawings are half left to chance, and half appear to be the direct result of an unconscious state. (Patricia Grzonka in georgia creimer incorporado, 2017) The biomes allow the creation of images of proliferating untamed plant or organic natural beings. \u201cWhen I was a child, I was exposed to a lot of tropical, explosive nature, even in the large city of S\u00e3o Paulo. Nature in those parts of the world is enormous, virtually untameable and not at all \u2018maintained\u2019,\u201d says Creimer. The template for the work Biom (gelb) is a drawing on paper using mixed techniques from the now extensive Biome series. Biom (gelb) is the first screen print by the artist. The particular challenge for the printer was to render the subtle pencil drawing in print. This was achieved perfectly through the use of unusually fine screens and following numerous test prints.
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